Chinese garden

The Chinese Classical Garden (中国古典园林; zhōng guó gǔ diǎn yuán lín), also calledChinese Scholar's Garden, is a place for solitary or social contemplation of nature.

Chinese gardens were created in the same way as a combination of landscape and paintings together with poems - this was the so-called "poetic garden." The design of Chinese gardens was to provide a spiritual utopia for one to connect with nature, to come back to one's inner heart, to come back to ancient idealism. Chinese gardens are a spiritual shelter for people, a place they could be far away from their real social lives, and close to the ancient way of life, their true selves, and nature. This was an escape from the frustration and disappointment of the political problems in China. They used plants as symbols. Bamboo was used in every traditional Chinese garden. This is because bamboo represents a strong but resilient character. Often pine is used to represent longevity, persistence, tenacity and dignity. The lotus is used to symbolize purity. The flowering plum is one of the most important aspects of a Chinese garden, as it represents renewal and strength of will. Flowering peaches are grown for spring color, and sweet olive as well. The chrysanthemum is used to symbolize splendor, luster and "the courage to make sacrifices for a natural life". Peonies symbolize wealth and banana trees are used simply for the sound they make in the breeze.

Design

The essential elements in a garden are a wall surrounding a hall, a pool, and a mountain with a tree. Later these were expanded to seventeen essential elements: 1) proximity to the home; 2) small; 3) walled; 4) small individual sections; 5) asymmetrical; 6) various types of spatial connections; 7) architecture; 8) rocks; 9) water; 10) trees; 11) plants; 12) sculpture; 13) jie jing (borrowed scenery); 14) chimes; 15) incense burners; 16) inscriptions; 17) use of feng shui for choosing site. The variety of sensory features enhance a garden's appeal. Windows frame garden views. Trees and flowers provide aroma. Even the intricate designs of pavement and gravel offer tactile enjoyment. Suzhou, in eastern China is widely known for its numerous classical private scholar gardens.

The aesthetics of the garden are judged by its conception, approach, layout, scenes, and borrowing. The conception is the measure of how well the garden reflects a painting or poem. The approach describes how the garden may express the idea of nature beyond the theme. The layout is the use of multiple layers of scenery to create a sense of the infinite in the finite. the scene is how well paired two opposite scene are and how they create harmony. finally the borrowing or borrowed view is how artfully distant views are incorporated into the whole.

The classic curved bridge is used in
many Asian gardens.

Chinese gardens are built not planted. The basic form of the garden is created by ponds and mounds. China is mostly covered in mountains, thus they have occupied a special place in the collective imagination since the Neolithic. The mountain in the Chinese imagination is magical place. An axis mundi where ancient wise men live on a diet of minerals and rare high altitude herbs. These men called immortals have access to knowledge and skills unknown to ordinary men. A mountain of the right type is a dragon of Qi and all its associated benefits. In myth certain mountains are themselves sacred. The elaborate grottoes of rock serve the same function, a small piece of the mountain through which to stroll, full of caves where immortals live. The pits dug to heap these mounds are used as ponds and streams. With the right properties such a pond may be the home of a dragon of Qi. The pavilions are placed in this landscape of mounds and ponds at auspicious points. Together the mound, pond, and pavilion create the primary form of the garden. A secondary layer is created by plants. In literature this secondary role is well attested. Finally, individual taihu rock is added for accent, like sculpture in a European garden.